Although it has been suggested that Miltons depiction of Satan is unconventional in that it is sympathetic towards him, the akin cannot be said for his portrayal of hell. His descriptions, made up of anomalous metaphors, are striking and forceful, yet the interruptions of Satans speeches of determination allow the readers to look for how it might feel to actually be in hell. Milton puts accentuate mark on the negative aspects of change through descriptions of characters, and ageless comparisons to promised land and Eden. He has taken on the task of describing the indescribable, and with his usage of similes aiding him in the process; he successfully manages to create an puzzle out encounter of hell in our minds. The first descriptions of hell cum close immediately after the invocation, and set up the unspeakable and crown image: The dismal situation waste and wild, A dungeon horrible, on all sides round As hotshot great furnace flamed, yet from those flames No lig ht, just now sooner keister visible Served besides to discover sights of woe (Book I 60-64) The paradox use in draw off 63 is particularly powerful, as darkness cannot be seen. His intention here is to provide a written and meaningful description of the nature of the darkness in hell, so palpable and terrible as to seem visible.
In line 65, Milton adapts Dantes words on the gates of hell, where peace And counterpoise can never dwell, hope never comes That comes to all; but torture without end (Book I 65-67) and, in doing so, creates an interesting contrast. He begins the musical phrase with the words peace and rest, only to end up with torture witho! ut end. It is similar to how he puts across an popular opinion of heaven: by describing hell, and suggesting everything that heaven is not. Here, he has begun with... If you want to shoot a full essay, station it on our website:
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